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Originally posted on Soonest Mended:
By Robert Blakslee
I’ve been living in Mexico for quite some time now. Life is good; my city is safe, rent is cheap, I like the food and it’s cheap too. But always and forever, in ways both obvious and subtle, I’m a foreigner, an eternal visitor. The only time I’ve been taken for a Mexican, to my knowledge, I was at a bar. It was very loud, so the girl mustn’t have heard my accent very clearly, and when I mentioned something about being an American (‘gringo’), she said something to the tune of, “Huh, you’re American? I thought you were just super ‘fresa’.” ‘Fresa’ literally means strawberry in Spanish, but in Mexico it means something like preppy, spoiled, and out of touch with reality. At the time I didn’t know this and thought she was saying I was very red.
But to be honest, as a foreigner I…
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Originally posted on Landscapes of Cairo:
This week features a piece by Sara Salem, a PhD scholar based in Cairo.
Throughout my life I have gone through different phases in terms of relating to where I am from or where I belong. Growing up in Zambia with an Egyptian father and Dutch mother meant that a restless feeling of not quite being settled was always part of my life. During my teenage years I remember this expressing itself as a dramatic quest to find out “who I am” and “where I belong”—something that should probably be attributed to the fiction I liked to read or drama shows I liked to watch rather than some universal human need to belong somewhere. I quickly grew out of that and the question didn’t seem to matter so much anymore. When I was 16, I moved to Egypt, when I was 22, I moved to the Netherlands, and for now…
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Originally posted on Aquamosh's Blog:
I wish peace to this land. To all the people and to my loved ones.
Originally posted on The Yesteryear Gazette:
(From the San Francisco Call – June 2, 1912)
A Survivor of the Most Dramatic Marine Disaster in the World’s History – Told Exclusively to Readers of the Semi-Monthly Magazine Section
By Charlotte Collyer
Of the many shocking things that I remember in connection with the lost Titanic, there is one impression that will never leave me. It is the irony of the faith that I had in the big ship. “She is unsinkable,” I had been told; “she is the safest boat afloat.” I had never been on an ocean voyage, and I was afraid of the sea. But I listened to the people who said: “Take the new Titanic. She cannot come to any harm. New inventions have made her safe; and then, the officers will be extra careful on her first trip.” That sounded as if it must be true; and so Harvey, my husband, and our…
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Originally posted on Ming Thein | Photographer:
One of the questions I’m asked also (unsurprisingly) happens to be one of the biggest challenges for a lot of people: how to achieve visual consistency across multiple systems/ cameras/ media, and across multiple subjects. Though the latter is really getting into the question of what constitutes style and how can one consistently apply it, there are still things you can do to ensure that you are in control of the final presentation: not your camera. I certainly cannot tell a client ‘sorry, it looks different because I used two different cameras.’
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